Bicycling while Black?

This gentleman received this ticket at 4 am in the morning over on Gentilly. This is absolutely shameful and MUST result in action by our city government to reduce this type of harassment. The stated costs of each infraction are also shocking and need to be reduced to a warning for a convicted first offense, and then a minimal charge for later charges.
Education about what is required by cyclists would be great; unlike auto drivers, there is no required training for any rider of a bike and many of these rules are simply not known to riders.
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Pride June 8-10

34411280_10156380164999337_4136195781134647296_nNew Orleans Gay Pride began in February 1971, when the newly formed Gay Liberation Front of New Orleans presented a “Gay In” picnic in City Park. This was the very first such event in the entire state of Louisiana.

Throughout the 1980s, several organizations spearheaded the annual events. The first street parade was held in 1980. In 1981, the event moved to Armstrong Park, and was emceed by New Orleans native Ellen DeGeneres. In 1988 “Gay Fest” was changed to “Gay Pride.”

By the 1990s, “Pridefest” was being sponsored by the New Orleans Alliance of Pride.

In 2005, Gay Pride was presented by the LGBT Community Center of New Orleans. In 2011, The LGBT Community Center decided to no longer produce the Pridefest event and gave all rights for PrideFest to the 2010 and 2011 local Grand Marshals.

In 2011, The New Orleans Pride Organization was formed as its own organization and acquired a 501(c)(3) status. The 2011 “New Orleans Gay Pride Festival” consisted only of a parade, pageant, and block party on Bourbon Street with 80’s pop star, Tiffany. In 2012, the festival officially became “New Orleans Pride.” Since then, The New Orleans Pride Board has restructured the organization to foster positive relationships between all communities in New Orleans.

The 2017 New Orleans Pride Festival was the largest Pride Festival to ever take place in Louisiana. More than 35 events took place over a three-day weekend, attracting people from all walks of life. The Festival brought in more than 82,000 participants, 3,000 of which were in the New Orleans Pride Parade, Louisiana’s Largest LGBT+ Parade.

Courtesy of https://togetherwenola.com/

Making New Orleans Home: A Tricentennial Symposium

The Historic New Orleans Collection will join the City of New Orleans 2018 Commission’s Cultural and Historical Committee to present “Making New Orleans Home: A Tricentennial Symposium,” Thursday, March 8, through Sunday, March 11, 2018.

Comprising individual lectures and panel discussions, the four-day symposium will be held at locations throughout the city, including Tulane University, the Hotel Monteleone, Xavier University, and the University of New Orleans. Additional evening events will take place at The Historic New Orleans Collection and the New Orleans Jazz Museum at the Old US Mint.

Schedule

Thursday, March 8, 2018
Tulane University, McAlister Auditorium, McAlister Drive and Freret Street

6:30 p.m. Welcome address
Michael Fitts, president, Tulane University
Symposium address

Priscilla Lawrence and Sybil Haydel Morial, co-chairs, Cultural and Historical Committee,
City of New Orleans Tricentennial

Introduction

Emily Clark, chair, Symposium Program Committee, and Clement Chambers Benenson Professor in American Colonial History, Tulane University

Keynote address
Cokie Roberts, NPR and ABC News political commentator

Friday, March 9, 2018
Conference sessions: Monteleone Hotel, Queen Anne Ballroom, 214 Royal Street
Block party: 500 block of Royal Street

8:45–9 a.m. Introductory remarks
Priscilla Lawrence and Sybil Haydel Morial
9–9:40 a.m. Balbancha: How American Indians Kept New Orleans in their Homeland
Daniel H. Usner, Holland N. McTyeire Professor of History, Vanderbilt University
9:40–10 a.m. Break
10–10:45 a.m.

 

Revisiting the Devil’s Empire: French Colonial New Orleans
Shannon Lee Dawdy, professor of anthropology, University of Chicago

Traces of Endangered Pasts: New Orleans Archaeology at the Tricentennial
D. Ryan Gray, Richard Wallin Boebel Endowed Professor in Anthropology, University of New Orleans

10:45–11 a.m. Break
11–11:40 a.m. Self Expression and Enslaved People
Sophie White, associate professor of American studies, University of Notre Dame
11:40 a.m.–1:15 p.m. Lunch (on your own)
1:15–1:30 p.m. Afternoon welcome
Daniel Hammer, deputy director, The Historic New Orleans Collection
1:30–2:10 p.m.

 

Making New Orleans Home at the Table
Jessica Harris, culinary historian and professor, Queens College, CUNY (retired)
2:10–2:30 p.m. Break
2:30–3:15 p.m. The Transatlantic Slave Trade: A Shared History
David Fleming, director, National Museums Liverpool (UK)
3:15–3:30 p.m. Break
3:30–4:15 p.m.

 

New Orleans and the Slave Trade
Walter Johnson, Winthrop Professor of History, professor of African and African American studies, and director of the Charles Warren Center, Harvard University
interviewed by Lawrence N. Powell, professor emeritus of history, Tulane University
5–7:30 p.m. Block party, 500 block of Royal Street
Featuring performances by Leroy Jones’ Original Hurricane Brass Band and the Dukes of Dixieland

Refreshments will be available for purchase.

Viewing of New Orleans, the Founding Era, an exhibition at The Historic New Orleans Collection


Saturday, March 10, 2018
Conference sessions: Xavier University, McCaffrey Ballroom, University Center (3rd floor), 1 Drexel Drive
Evening program: New Orleans Jazz Museum, 400 Esplanade Avenue
Food and drinks available for purchase at both venues.

8:45–9 a.m. Welcoming remarks
C. Reynold Verret, president, Xavier University
9–9:45 a.m. Featured address
The Great Migration
Isabel Wilkerson, author, The Warmth of Other Suns: The Epic Story of America’s Great Migration
9:45–10:15 a.m. Break
10:15–11 a.m. Panel discussion: Religion

  • Voodoo and the Racial Politics of Identity in New Orleans
    Kodi Roberts, assistant professor of history, Louisiana State Univeristy
  • The Politics of Prayer: Free Women of Color and the Pursuit of Freedom in Antebellum Louisiana
    Noël Voltz, assistant professor of history, University of Utah
  • From Code Noir to Respectability: Jews and Judaism in New Orleans
    Hasia DinerPaul and Sylvia Steinberg Professor of American Jewish History and professor of Hebrew, New York University
11–11:45 a.m. Panel discussion: “Creating Home: 300 Years of Builders and Architects in New Orleans”

  • Ann M. Masson, architectural historian, Tulane School of Architecture
  • Tara Dudley, lecturer, School of Architecture, The University of Texas at Austin
  • Jonn Ethan Hankins, executive director, New Orleans Master Crafts Guild
11:45–2 p.m. Lunch (on your own)
Book signing with Isabel Wilkerson
2–2:40 p.m. New Orleans in the American Revolution
Kathleen Duval, Bowman and Gordon Gray Distinguished Professor of History, University of North Carolina
2:40–3 p.m. Break
3–3:45 p.m. Panel discussion: Haiti and New Orleans

  • Exiles from Saint-Dominque: Caribbeanizing New Orleans
    Nathalie Dessens, professor of American history, Université Toulouse
  • The Refugee Predicament: From Saint-Domingue to Cuba to New Orleans, 1803–1809
    Rebecca J. ScottCharles Gibson Distinguished University Professor of History, professor of law, University of Michigan
3:45–4 p.m. Break
4–4:45 p.m. Panel discussion: New Orleans Music: Past, Present, and Future

  • Home Is Where the Heart Is
    Bruce Boyd Raeburn, head of special collections and director emeritus, Hogan Jazz Archive, Howard-Tilton Memorial Library, Tulane University
  • Building and Rebuilding the “Land of Dreams” with Music
    Nick Spitzer, producer, American Routes, and professor of anthropology, Tulane University
  • The New Orleans Second Line Tradition: Musical and Cultural Implications
    Dr. Michael White, Keller Endowed Chair in the Humanities, Xavier University
4:45 p.m. Invitation to evening event
Greg Lambousy, director, New Orleans Jazz Museum
6:30–10 p.m. Minting NOLA Music at the Jazz Museum

 


Sunday, March 11, 2018
University of New Orleans, Senator Ted Hickey Ballroom and Gallery Lounge, University Center, 2000 Lakeshore Drive. Parking will be complimentary in all university parking lots, including the University Center lot. Food and drinks available for purchase.

10:30–10:45 a.m. Welcoming remarks
Matt Tarr, Vice President for Research and Economic Development

Introductory remarks
Mary Niall Mitchell, Ethel and Herman L. Midlo Chair in New Orleans Studies, Joseph Tregle Professor in Early American History, University of New Orleans

10:45–11:30 a.m. Panel discussion: Immigrants

  • Faith, Hope, and Charity: Irish Communities in New Orleans
    Laura D. Kelley, adjunct professor of history and program director, Tulane Summer in Dublin program, Tulane University
  • Immigration in Nineteenth-Century New Orleans
    Justin A. Nystrom, director, Center for the Study of New Orleans, Loyola University, New Orleans
  • Three Centuries and Counting: Germans at Home in New Orleans from the Start
    Daniel Hammer, deputy director, The Historic New Orleans Collection
11:30–12:15 p.m. An Ethnic Geography of New Orleans: Residential Settlement Patterns across Three Centuries
Richard Campanella, geographer, Tulane School of Architecture
12:15–2:15 p.m. Lunch (on your own)
1–2:15 p.m “Congo Square” and “Storyville”
University of Louisiana at Lafayette Wind Ensemble
conducted by William J. Hochkeppeldirector of bands, University of Louisiana at Lafayette
works composed by James SylerUniversity of Texas at San Antonio
commentary by Freddi Evansauthor, independent scholar, and arts educator
2:15–3:15 p.m. Civil Rights roundtable

  • Sybil Haydel Morial, author and former associate vice president for external affairs, Xavier University
  • Alexander P. Tureaud Jr.educator, author, public speaker, and artist
  • Raphael Cassimere Jr., professor emeritus of history, University of New Orleans
  • Doratha “Dodie” Smith-Simmons, civil rights activist, New Orleans Congress of Racial Equality (CORE), NAACP Youth Council

moderated by Lawrence N. Powell, professor emeritus of history, Tulane University

3:15–4 p.m. Whither New Orleans? The Future of A Great American City
Leslie M. Harris, professor of history and African American studies, Northwestern University
4 p.m. Closing remarks

Ca­bildo and Presbytère renovation

With the best of intentions, workers applied elastomeric coatings to the Ca­bildo around 1998 and the Presbytère in 2004. Around the same time, the Old Ursuline Convent in New Orleans and the Old State Capitol in Baton Rouge received similar applications. But what was first seen as a state-of-the-art technique soon turned out to be a preservationist’s nightmare. As it turns out, exterior masonry and stucco require a certain amount of moisture to main­tain their structural integrity; without it, the exterior cracks and crumble.

“Elastomeric coats are designed to exclude water from buildings, and in theory they don’t cause problems as long as all water is excluded from en­tering a building. But that is impossible to do,” said Cangelosi. “Water can come from rising damp, hairline cracks, movement, interior sources includ­ing condensations, failure of adhesion of the stucco and other sources. And once in the moisture is in, it cannot escape, as the coating is designed to prevent the transmission of moisture.”

Trapped behind the paint, this moisture has no place to go except through the building’s interior plaster walls. But before this was realized, damage had been done. The Old Louisiana State Capitol building was one of the earliest buildings in Louisiana to report damage after it was discovered that the elastomeric coatings had been the culprit behind decay caused by trapped moisture within the building walls.

“Historic buildings and their fabric must be able to breathe,” Cangelosi said. “History has shown that any product which prevents that will have an adverse effect.”

Elastomeric coatings did not go from panacea to poison overnight, of course. But by 2005, the Vieux Carré Commission (VCC) rejected the Ur­suline Convent’s request to repaint an elastomeric fence. Staff analysts con­cluded that such paints “are disastrously inappropriate for historic masonry walls and structures in all high humidity/high temperature climates and especially in sub-tropical and tropical climes like New Orleans.”

These words proved prophetic, and work to remove the elastomeric coat­ings on the Cabildo and the Presbytère began in 2014. By that point, the dam­age done to those buildings by the coatings was severe. “”I received a video early one morning from someone passing the Cabildo as parts of it literally were exploding off the building as the trapped moisture was trying to escape,” Cangelosi said. “Not only did it cause extensive damage to the building, but someone could have been seriously hurt.” Koch and Wilson Architects was selected to oversee the work of associated waterproofing at the Cabildo, and Jahncke & Burns Architects was chosen as the architect of record for the work of advanced waterproofing at the Presbytère. Associated Waterproofing is the contractor of work on the Cabildo, and Advance Waterproofing LLC served as general contractor for the Presbytère‘s first phase of work.

At first, the plan was to remove the coating from only the front façade of each building. As the work proceeded, however, it quickly became clear that not only would the other sides of the buildings need to be stripped, but that stucco and masonry underneath the elastomeric coatings had suffered extensive structural damage and would need repair.

 

 

https://prcno.org/triage-jackson-square/

Krewe du Vieux’s Wet Dream

While it is true that Carnival always begins on January 6th aka Three Kings Day, aka The Epiphany (as befits its Catholic underpinnings) always kicked off by a citywide king cake frenzy and the Phunny Phorty Phellows‘ streetcar ride, the real Carnival spirit in the city begins once there are parades every weekend which for 2018, means today.

There are parades in the ‘burbs today but more importantly, it also marks the most elaborate walking parade held during Carnival, known as Krewe du Vieux. This parade is important for more than its mostly French Quarter route, it is also the most anticipated because of its skill in skewering the pompous, the inept, and the famous fallen alike.

The theme this year is Bienville’s Wet Dream which is a nod to the 300th anniversary of the city but also to the floods of the summer of 2017 which uncovered the fact that the city had never bothered to repair most of its generators that ran the Sewerage and Water’s pumps, and inexplicably had working generators and pumps offline during the tropical summer, swamping the city on 2 separate occasions. If outsiders want to know why we view our government with such cynicism here, it may be best explained by the fact that some of the pumps were not activated during those rain events because as the SWB later blithely explained those sites (near the lake!) required on site operators to turn them and – and those operators could not get there in the flood.

I swear.

We should expect the recent downfall of Chef John Besh to be a major theme, and the new mayor who had a bit of a government credit card issue, as well as the departing mayor who seems to have lost interest in repairing current infrastructure and instead wants to spend his final months in office spending millions for a security state with cameras everywhere and a new Disneyfied Bourbon Street.

I swear.

Screen Shot 2018-01-27 at 11.19.57 AM

2018 route

This parade grew out of the Krewe of Clones which paraded in the 1970s and 1980s. Like many krewes, there was a disagreement as to the style and tone that members wanted and so Krewe du Vieux was formed when some decided that success lay with the most debased, most ridiculous, and the most profane version.

It is also known for the profusion of brass bands that they hire:

Kinfolk

Young Pinstripes

All For One

Down N Dirty

One Mind

The Pocket Aces

New Breed

Bessarabian

The Stooges

The Paulin Brothers

Egg Yolk Jubilee

To Be Continued

Hot 8

21st Century Brass Band

The Free Agents

Lagniappe

The Jazzmen

Where Y’At

Big Fun

Da Truth

They became truly de rigueur in 2006 with their parade less than 6 months after Katrina and its C’est Levee theme that was impressively hilarious and pointedly mocking of the government that had failed us so completely. I still have throws from that year as do many of my friends and neighbors. From their 2006 release:

Lifes a breach, and sometimes you just gotta go with the contraflow. So pop a cold one (pop a looter too if you have to), torch the nearest mound of trash and roast some weenies, and pretend that convoy of National Guard hummers rolling by is just another parade.

For 2018,  its king is Rich Campanella, Tulane geographer, historian and obsessive researcher of the accurate history of our 300 years. His list of books is extensive, his articles are constant and on top of that, he is a nice guy always interested in hearing an opinion or a factoid on the physical space of our colony.  Here is King Rich’s piece on the history of the route that he will lord over this evening.

Come out on his appropriately wet parade evening to honor him and the motley who take over our streets at 6:30 p.m. tonight.