History, people, fables and critical essays on the 24/7 life of the French Quarter. "Those who live somewhere should be allowed to decide how a place should exist; it should not be determined by how it can be sold." (Grace Lee Boggs) “The great music of the city is not Louis Armstrong; it’s when you say good morning and good evening.” (Mr. Jerome Smith)
As New Orleans marks its 300th birthday, the city has yet to achieve health equality for all of its residents, according to a new report from The Data Center. The report says discrimination in the health care system throughout the city’s history has had an adverse effect on the longevity and quality of life of its African-American residents. Even today, the report points out that there is a 25-year difference in life expectancy between people who live in New Orleans ZIP codes 70124 and 70112, neighborhoods only five miles apart, but where residents are 3 percent and 75 percent black, respectively.
The New Orleans mayor who removed the Confederate statues confronts the racism that shapes us and argues for white America to reckon with its past. A passionate, personal, urgent book from the man who sparked a national debate.
“There is a difference between remembrance of history and reverence for it.” When Mitch Landrieu addressed the people of New Orleans in May 2017 about his decision to take down four Confederate monuments, including the statue of Robert E. Lee, he struck a nerve nationally, and his speech has now been heard or seen by millions across the country. In his first book, Mayor Landrieu discusses his personal journey on race as well as the path he took to make the decision to remove the monuments, tackles the broader history of slavery, race and institutional inequities that still bedevil America, and traces his personal relationship to this history. His father, as a state senator and mayor, was a huge force in the integration of New Orleans in the 1960s and 19070s. Landrieu grew up with a progressive education in one of the nation’s most racially divided cities, but even he had to relearn Southern history as it really happened.
Equal parts unblinking memoir, history, and prescription for finally confronting America’s most painful legacy, In the Shadow of Statues will contribute strongly to the national conversation about race in the age of Donald Trump, at a time when racism is resurgent with seemingly tacit approval from the highest levels of government and when too many Americans have a misplaced nostalgia for a time and place that never existed.
Listen to The Anthology of Louisiana Literature‘s 2-part interview with Dr. Nancy Dixon, editor of one of the necessary books for any New Orleans scholar or armchair historian: N.O. Lit: 200 Years of New Orleans Literature. Even if this brilliant woman wasn’t my pal, I’d still be urging you to get a copy. I open it up again and again to read her selections from different authors.
The 560 pages includes a well-curated set of short fiction and plays that reflect the city’s literary history, from Paul Louis LeBlanc de Villeneuve’s 18th-century play The Festival of the Young Corn, or The Heroism of Poucha-Houmma to Fatima Shaik’s 1987 short story “Climbing Monkey Hill.”
Dixon provides informative introductions to each author’s section, placing the works and their creators within the context of the city’s history and the history of its literature, making the anthology both an enjoyable artful artifact and an important academic resource.
This is the history of the American South, which you, not being from this region, might find it convenient to avoid, but which you have no right to expect the nation as a whole to avoid so that you might miss it while starting it square in the face. Moreover, as it is the history of the material foundations of the United States of America, it is the only history you have this side of the Atlantic.